Marcus DeSieno

Surveillance Landscapes

Marcus DeSieno

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Surveillance Landscapes interrogates how surveillance technology has changed our relationship and understanding of landscape and place in our increasingly intrusive electronic culture. I hack into surveillance cameras, public webcams, and CCTV feeds in a pursuit for the classical picturesque landscape, dislocating the visual product from its automated origins while searching for a conversation between land, borders, and power. The very act of surveying a site through these photographic systems implies a dominating  relationship between man and place. Ultimately, I hope to undermine these schemes of social control through the obfuscated melancholic images found while exploiting the technological mechanisms of power in our surveillance society.

 

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deSienoMarcus DeSieno (USA). His work is concerned with science and exploration in relation to the history of photography. He received his MFA in Studio Art from the University of South Florida in 2015. DeSieno often assumes the role of the amateur scientist in his work in order to investigate photography's historic relationship with science in regards to the notion of the invisible. Antiquated and obsolescent photographic processes are often combined with contemporary imaging technologies to engage in a critical dialog on the evolution of photographic technology in relation to seeing.
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Surveillance Landscapes interrogates how surveillance technology has changed our relationship and understanding of landscape and place in our increasingly intrusive electronic culture. I hack into surveillance cameras, public webcams, and CCTV feeds in a pursuit for the classical picturesque landscape, dislocating the visual product from its automated origins while searching for a conversation between land, borders, and power. The very act of surveying a site through these photographic systems implies a dominating  relationship between man and place. Ultimately, I hope to undermine these schemes of social control through the obfuscated melancholic images found while exploiting the technological mechanisms of power in our surveillance society.

 

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deSienoMarcus DeSieno (USA). His work is concerned with science and exploration in relation to the history of photography. He received his MFA in Studio Art from the University of South Florida in 2015. DeSieno often assumes the role of the amateur scientist in his work in order to investigate photography's historic relationship with science in regards to the notion of the invisible. Antiquated and obsolescent photographic processes are often combined with contemporary imaging technologies to engage in a critical dialog on the evolution of photographic technology in relation to seeing.
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