Lei Lei + Thomas Sauvin
Beijing Silvermine is a project by french photographer Thomas Sauvin to recover the photographic records of the people of Beijing after the Cultural Revolution, from 1985 when photography (mainly 35 mm) became popular in China, until about 2005, when it began to give way to digital photography.
For several years, Sauvin collected negatives (many of them never printed), recovered from a recycling plant on the outskirts of Beijing. After an exhaustive selection and digitization, he has created a fascinating archive with over half a million 35 mm negatives that has become an intriguing record of the public and private lives of the inhabitants of that city. Over the past 20 years, China has experienced unprecedented economic liberalization, which has completely redefined the way people in its cities thrive, travel, eat and enjoy themselves.
This collection of material from anonymous sources has served as the input for editing a collection of photo books and exhibitions, in which Sauvin provides an authorial contribution to the reinterpretation of a form of appropriation, which has even been the starting point for collaborative pieces such as the animation by chinese visual artist Lei Lei, who selected 3,000 of these images to create an audiovisual piece entitled precisely Recycled in 2013. Director Emiliad Guillermine produced a short documentary that bears witness to Sauvin’s experience and his meticulous collection, sorting, editing and digitization of the thousands of images he recovered.
Thus, Sauvin’s work brings us closer to part of the collective memory of current Chinese society, enabling us to understand how it has changed its cultural dynamics in recent years, while providing a new perspective on the experience of the visual appropriation and recycling at a time when the mass production and consumption of images leads us to understand the importance, but above all the enormous authorial possibilities of the editor and curator to generate new discourses.
Thomas Sauvin (Francia) A photography collector and editor who lives in Beijing. Since 2006 he exclusively works as a consultant for the UK-based Archive of Modern Conflict, an independent archive and publisher, for whom he collects Chinese works, from contemporary photography to period publications to anonymous photography. Sauvin has had exhibitions of his work, and published through Archive of Modern Conflict.
Lei Lei (China) An up-and-coming multimedia Chinese animation artist with his hands on graphic design, illustration, short cartoon, graffiti and music also. In 2009 he got a master's degree from Tsinghua University. In 2010, his film This is LOVE was shown at Ottawa International Animation Festival and awarded The 2010 Best Narrative Short. In 2013 his film Recycled was selected by Annecy festival and was the Winner Grand Prix shorts - non-narrative at Holland International Animation Film Festival. In 2014 he is the Jury of Zagreb / Holland International Animation Film Festival. and he was the winner of 2014 asian cultural council grant.Beijing Silvermine is a project by french photographer Thomas Sauvin to recover the photographic records of the people of Beijing after the Cultural Revolution, from 1985 when photography (mainly 35 mm) became popular in China, until about 2005, when it began to give way to digital photography.
For several years, Sauvin collected negatives (many of them never printed), recovered from a recycling plant on the outskirts of Beijing. After an exhaustive selection and digitization, he has created a fascinating archive with over half a million 35 mm negatives that has become an intriguing record of the public and private lives of the inhabitants of that city. Over the past 20 years, China has experienced unprecedented economic liberalization, which has completely redefined the way people in its cities thrive, travel, eat and enjoy themselves.
This collection of material from anonymous sources has served as the input for editing a collection of photo books and exhibitions, in which Sauvin provides an authorial contribution to the reinterpretation of a form of appropriation, which has even been the starting point for collaborative pieces such as the animation by chinese visual artist Lei Lei, who selected 3,000 of these images to create an audiovisual piece entitled precisely Recycled in 2013. Director Emiliad Guillermine produced a short documentary that bears witness to Sauvin’s experience and his meticulous collection, sorting, editing and digitization of the thousands of images he recovered.
Thus, Sauvin’s work brings us closer to part of the collective memory of current Chinese society, enabling us to understand how it has changed its cultural dynamics in recent years, while providing a new perspective on the experience of the visual appropriation and recycling at a time when the mass production and consumption of images leads us to understand the importance, but above all the enormous authorial possibilities of the editor and curator to generate new discourses.
Thomas Sauvin (Francia) A photography collector and editor who lives in Beijing. Since 2006 he exclusively works as a consultant for the UK-based Archive of Modern Conflict, an independent archive and publisher, for whom he collects Chinese works, from contemporary photography to period publications to anonymous photography. Sauvin has had exhibitions of his work, and published through Archive of Modern Conflict.Lei Lei (China) An up-and-coming multimedia Chinese animation artist with his hands on graphic design, illustration, short cartoon, graffiti and music also. In 2009 he got a master's degree from Tsinghua University. In 2010, his film This is LOVE was shown at Ottawa International Animation Festival and awarded The 2010 Best Narrative Short. In 2013 his film Recycled was selected by Annecy festival and was the Winner Grand Prix shorts - non-narrative at Holland International Animation Film Festival. In 2014 he is the Jury of Zagreb / Holland International Animation Film Festival. and he was the winner of 2014 asian cultural council grant.
